The Tale of Rose Red, Part 7

Isn't it wonderful how fortuitously things sometimes align sometimes? 

 

Some friends of ours from church have a home away from home in southern Ohio-- a small cottage with all the amenities. About a half a mile up the hill in the woods they also have a one-room, furnished log cabin that the husband built himself as a hobby.

Well, my mother and I got invited to stay there this weekend for a relaxing getaway. I took my sewing along, naturally, since I needed to finish the trim on the Red Cloak. Thinking about these woods and this cabin, I took a gamble and folded up the rest of my costume as well.

In a mad rush Sunday morning I finished off the last of the trim, hand-basted the right side together, and then we climbed up the hill to that cabin and did some wonderful shots. I will let them speak for themselves!

The Tale of Rose Red, Part 6

Clearly, the most important thing you need if you're going to be Little (or Tall) Red Riding Hood is a red cape and hood.

I splurged. I meant to try and be economical and find something sufficient, but it was not to be. I found this red wool suiting (it was on sale, but I still don't want to admit what I paid for it), and it was so perfect-- the color, the drape, the heft. I could not resist.  I bought the blasted red wool for real.

That part was expensive, but easy.

The cloak construction itself was easy enough too. I used McCall's M6420 because I already had it and I figured a cloak is a cloak. Eh... I don't know who this cloak was designed for. Maybe Darth Vader wearing linebacker shoulderpads. I ended up reducing the curvature of the shoulders severely on this pattern. I also narrowed the panels and it doesn't quite close, but it's supposed to hang nicely open, so that was just my call.

The next adventure was the side slits for her arms to go through. At first I thought they'd be easy enough to add to the middle sides of the cloak, until I looked more closely at the pictures and realized the slits were on the inside of the trim, closer to the body. This required some creative finagling but I made it work. 

The next problem became what to do about the mystery trim on her cloak. Can you tell what it's made of? Because I certainly cannot.

This is the best picture I could come up with on short notice, but I have consulted quite a few, and best I can tell it's unspun wool that's been tacked down onto the cloak. And some embroidery. And the cloak itself has been distressed in between so the whole thing is very fuzzy.


After roaming around JoAnn's and considering several options, I finally bought three skeins of super fuzzy yarn in dark purple, lavender, and white. Someday I will stop needing to buy things in lavender.

Then I scrounged through the sewing supplies I inherited from my mother and found a lovely, blunt tapestry needle with a big huge eye.

I used the needle to make willy-nilly patterns along the border like so.... (the white trim was very minimal)

A look at the full cloak after the first night of yarn experiments.

I put all the trim on first before sewing back the edge of the border so it's a nice, tidy finish with no understitching showing through.

And those are all my notes on cloak construction! Onward to the main event!

The Tale of Rose Red, Part 5

There have been many happenings in costuming world of late, folks. The Red Riding Hood effort is coming along nicely. 

For example, I finished the vest!

(Followed the pattern, added 3 inches of length, disregarded the eyelets)

I bought the garment clasps here. Specifically "Tudor Rose" in antique pewter.

And then I finished the skirt! Pretty straight-forward. Just followed the pattern. I'll probably shorten it by about two inches when everything else is done. It's kind of... trippy right now.

Everything all together!!

Some close-ups for detail...

  

(The fake bow still needs to be attached. Whoops)

 

And just because I got some extra-adorable photos... some kitty cuteness!

 Lucy thinks if I lay anything down flat anywhere it is her duty to sit on it. In this case, she made a whole nest for herself.

...see?

The two of them also had a brilliant time playing in the "cave" formed by the voluminous medieval skirt on the dress form.

 

 And then, you know, Toby turned into an Alien and Lucy caught him for me.

Last but not least, my favorite:

You know how sometimes you take a picture by accident and it looks more brilliant than anything you could've ever gotten by trying. This is especially true of cats, who don't ever cooperate with anything you WANT them to do. Fortunately, Toby can't help but look gorgeous. I may have this one framed.

And yes, for those of you who are wondering, that is a suspiciously red cloak-like material he's hiding behind there!

... stay tuned!

Red Riding Hood blouse writeup

Red Riding Hood Blouse
Alteration notes

Base Pattern:  Butterick 6196, peasant blouse

(1) Shorten the sleeve by six inches.

(2) Narrow the sleeve by two and a half inches.

(3) Cut the sleeve into strips based on the following measurements (from the bottom of the  seam).

Base (cuff) 4 1/2"
Lace (bottom) 4"
Center (narrow) 2"
Lace (top) 4"
Shoulder (remainder)

I also lengthened the bottom of the skirt by three inches to make sure it was long enough to emulate Red's blouse.

The Tale of Rose Red, Part 4

The blouse is finished!

(Reference photo)

Last night was a magical night on the sewing front. I called a friend to ask if I could raid her elastic supply since I needed elastic to proceed and I didn't feel like driving all the way to the nearest place I could get some.

She brought some 1/4" and 1/8" samples. Sandry has a cool stitch that allows me to zig zag elastic straight onto a gather without having to worry about casing and the like, and I'd already practiced using it some weeks earlier. So after a quick trial run with the crinkle chiffon fabric I was able to finish off the garment in the following steps:

(1) I narrow hem serged the edges of the cuffs.
(2) Gathered the cuffs and sewed down the elastic.
(3) Assembled the four pieces of the peasant blouse (back, front, two sleeves). I believe I may have mentioned in an earlier post about how much I adore the simplicity of this shirt's construction. Or maybe that was just on Facebook.
(4) Narrow hem serged the edge of the neckline and hem.
(5) Did a test gather of the neckline and a fitting.

Now, here is where the turn of events took me by surprise. My game plan has always been up to this point to build a casing for the neck, make a drawstring, and finish off the shirt in that way (see reference photo). But as soon as I put the shirt on it became apparent that even were I to do all that, it wouldn't really resemble Red's blouse exactly because her shirt is much more gathered than mine will ever be. I needed about twice the shirt.

What I did have was lovely and "close enough". I also felt emboldened by my success with the elastic on the cuffs so instead of bothering with casing and all that extra work, I just took the rest of the 1/8" elastic and did the same thing to the neckline. The result is what you see at the top of this post.

(If you squint you can kinda sorta see the zig zag stitches that attach the elastic to the fabric)

Technically, I still have to add a faux bow to "complete" the shirt, but that's an afterthought.

So after probably four complete days' worth of work testing the sleeves, practicing special stitches on my new machine, and learning new techniques on my serger, all my hard work came together in one surprisingly productive evening and a finished garment.

The even better news? I chose starting with the blouse because I knew all this learning and trial and error would probably make it the most difficult of all of Red's ensemble for me. So, theoretically, it's all downhill from here!

Let's check the to-do list:

I. Blouse

II. Vest

III. Skirt

IV. Cape

V. Petticoat

VI. Boots, Gloves

VII. Hair, Basket, etc.

So I'll be eagerly working on the vest, next, which is #2 in intimidation factor because of the Very Special and Expensive fabric that I bought. It's also my first time using boning as called for by a pattern, but that doesn't really worry me. 

First, though, I'll work up a summary reference post on how I made the blouse (including specific adjustments, etc), should anyone wish to emulate my take on it.

The Tale of Rose Red, Part 3

The Music Man is over! It was a good time overall, but I'm glad the demanding rehearsal and performance schedules are through and I can return my energies to fannish pursuits. At least until the end of August when auditions for Little Women are coming up!

In the past three days I have made splendid progress on Red Riding Hood, particularly finishing off my trial and error with the sleeves and getting them all ready to go for the final product.

When we last left off, the test sleeve looked nice, but wasn't quite close enough to the source costume for my liking. The lace sections were too low on the sleeve compared to Red's.

I cut everything out again, this time moving all the dividers up four inches. After patiently joining and inserting into the test blouse, I was pleased to find the lace fell more or less in the right places this time around. It was still too long and too poofy, though, so I made a few more adjustments to my pattern based on that. (Didn't bother cutting out and testing a third time, though)

The final custom pattern. The darker stripe in the middle is from where I narrowed the sleeve by 2 1/2 inches. I also cut the same amount from the length of the sleeve, taking it from the top half of the fifth section of the pattern. Once nice thing about narrowing the sleeve is that the original sleeve pattern was too big to fold my pattern material and cut 2 simultaneously. Now I was able to do just that (yay, convenience!!)

The next step was to cut out the layers in both my "base" fabric and the lace I bought to go in between. Since neither of these fabrics has an easily discernible "wrong"side, I wrote out a label for all ten pieces as shown above to make sure I didn't get the pieces for the two sleeves mixed up until they were assembled.

Then, I used the serger to finish the edges of each strip with a narrow rolled hem. This took almost a full day of reading, experimenting, and one case of getting up and walking away in order to cool down before beginning again. It's the first time I've used Sergio's narrow rolled hem application, and for the most part I did a good job of allowing myself to learn as well as to apply. As usual, I made it extra hard on myself by choosing two tricky fabrics to work with. As you can see above, the base fabric is very stretchy, and the lace comes with its own set of problems. But Sergio and I worked together and eventually got it sorted.

One interesting side effect of serging the stretchy fabric was that the fabric, well, stretched. That is, it stretched out to where the pieces ended up being longer than their originating fabrics, as shown above. Still, far better than if the serger had somehow shrunk them I suppose.

I joined the pieces together as shown above, always with the lace on top for pinning purposes, and then used two rows of top stitching on the machine to complete the process. I got better and better at this as I went along, so my second sleeve is predictably better than the first, but they're both god enough for me to proceed.

I haven't ironed them yet, but there they are! All assembled and deceptively simple-looking, given how many hours have been devoted to getting them right. But as usual, I've learned loads, in this case about working with new fabrics and five or seven new things about Sergio. Every minute worth it.

Next up-- assembling the blouse! The biggest challenge will be constructing a casing for the drawstring, but compared to these sleeves, I'm optimistic.

River Song: The Secret Costume

My dearest readers, I have been sneaky. I have been working on a costume behind the scenes and not mentioned a word about it.

Anybody around here like Doctor Who?

How about the indomitable River Song?

This costume is from the episode "A Time of Angels"  Watch her (and the dress! and the accessories!) in action here:

I've been wanting to make this costume for quite a while, and it actually ended up being my easiest project so far, sewing wise. It's also my first foray into wig-buying, as you can see below:

A couple of weeks ago when I was in NYC, I managed to find a pair of adorable, adequate red stilettos. By some wondrous miracle they only size they had left was mine! The cat eye sunglasses I found at Target.

For those doing River Song Byzantium dress research of their own, the pattern I used was Simplicity 3827 (now being phased out). It's the same pattern I altered to make my Inara blouse! If I could start again, however, I wish I'd used Simplicity 1801 instead. It has a cummerbund already incorporated into the pattern (I had to try and add mine on my own and it's kind of sloppy), as well as gathers at the shoulders and waist more in keeping with River's actual dress.

Wig: Link 

There are more accessories I still need to keep my eye out for to "complete" this ensemble-- a handbag, a watch, a handheld scanner thingy (I'm thinking I might track down my old Game Boy Advance and give it a makeover for this) and a tiny gun/blow torch. For a girl dressed to the nines, River is sure prepared for anything!

The Tale of Rose Red, Part 2

Howdy, folks!

Progress on Red Riding Hood is going slowly, only because I've been up to my neck in other pursuits, including an amazing long weekend in New York City last week, and the home stretch of rehearsals for my local theater company's production of The Music Man. Alas, until the first weekend of performances is over (June 15-17) I am resolved not to look at or think of any sewing projects. There just isn't enough time.

However, I did manage to make a little headway into the sleeves for Red's blouse a few weeks ago, and thought since we're in such a dry spell I may as well put up a post about my scant efforts.

The first thing I did was to make a test blouse per the pattern (Butterick 6196), to get an idea of where to start with my alterations.

First off, may I just say that I love making peasant blouses? It was such a breeze! I also got to incorporate one of Sandry's special tricks, which is a stitch that allows you to put down elastic without needing to make casing (on the cuffs of the sleeves). The seam for attaching these sleeves is so much easier than the typical shoulder joint seam in modern sleeve styles. The vest is one I grabbed from my closet.

The first issue, which I knew going in, is that the sleeves need to be shortened for Red's costume. By a LOT. The second thing is, they need lace layers.

The first thing I did was shorten the pattern as shown above. I pulled one of the sleeves off of my test muslin blouse to use as a base for my new custom pattern. Also, note my beautiful new pattern weights. I have recently discovered the tricks of pattern weights and a cutting tool for cutting out patterns (I call it the pizza slicer thingy) instead of the traditional pin & scissors method, and I seriously wonder what was wrong with me for not discovering it sooner. Pinning and cutting is my least favorite part of sewing. So tedious! Now I don't have to do it anymore! This is a good thing for the overall quality of my work and my learning process too, because it means I'm more likely to take the time to do trial garments and get it right before cutting into my final fabric.

After I cut out the shortened sleeve, I used my marking tools to map out the lace vs base sleeve layers on my new custom sleeve.

 A view of the same custom sleeve pattern together, checking on the symmetry of my measurements.

This picture is upside-down. Whoops. But you get the idea (I don't feel like re-uploading it). Here are the individual pattern pieces cut out. I put LOTS of labels and markings to help me keep track of which was which.

 At first I thought I might be able to use the same piece for the two "lace" layers, since they were the same shape and width, but when I cut the sleeve pattern up, I realized that due to the flared nature of the sleeve, they're slightly different lengths, so it was good to keep both of them.

 I cut out the base and lace layers and joined them together. Here is the resulting test sleeve.

Almost all of my edges and seams were acceptably straight, except for the exception you can see above.



I attached the new test sleeve to the base of the peasant blouse. It looks pretty good, but unfortunately, it's not quite right. If you check against the reference photo, the lace layers should be much higher, starting closer to the shoulder. Also, it could still probably stand to be an inch or two shorter.

I am going to need to repeat all of these steps and shift my measurements for where the different layers go.

The good news is, I feel confident that my methodology is good to make a nice sleeve.

The bad news is, I can't figure out where I put the brown paper sleeve pattern. I've been looking for it everywhere....


And that's all the Red progress I'm going to have for another two weeks. I'm starting to get really impatient (and slightly panicked-- Dragon Con is a lot closer than it looks for a methodical sewer like me!) But I know from experience that trying to squeeze sewing in between the cracks of a busy schedule is a bad, BAD idea for me. It's all or nothing. I will wait until rehearsals are done and over and shift gears 100%.

Hopefully I can find that pattern before then, though. Grrrr.

ETA: Found it!! It was folded up and put away nicely in the pattern envelope. How unpredictably tidy of me...